While the Museum is focusing especially on the establishment story of the Ottoman Empire, it also narrates the history of Ottoman Empire with its characteristic features. The museum’s themes show parallelism with the Bilecik Museum.
Görseller
The building of the Palace Kitchens, “Matbah-ı Amire” has been transformed into a museum at the end of the excavation and restoration processes started in 2009. A collection, dating between the 15th and 19th centuries and including ceramic, chinaware, glass and metal objects, is presented in the museum. The objects and audiovisual tools and texts are blended to narrate the story of food culture and habits of the palace people, administrative structure of the palace kitchens, ramadan rituals, fests and dinner parties organized in the palace and coffee culture.
Görseller
The “resting place” and house of Osman Hamdi Beg, considered as constituent of the museology and archaeology of Turkey, has been restored as a museum. Contributions of Osman Hamdi to painting and museology has been narrated through the collection including first hand documents, photographs, digital copies, replicas, synthesis images, descriptive plans, schemes, monograms, maps, individual notes and letters.
Görseller
The building of the Palace Kitchens, “Matbah-ı Amire” has been transformed into a museum at the end of the excavation and restoration processes started in 2009. A collection, dating between the 15th and 19th centuries and including ceramic, chinaware, glass and metal objects, is presented in the museum. The objects and audiovisual tools and texts are blended to narrate the story of food culture and habits of the palace people, administrative structure of the palace kitchens, ramadan rituals, fests and dinner parties organized in the palace and coffee culture.
Görseller
Following the restoration, Sand Pavilion Bath, has been built by Sultan Mehmed II, was
transformed into a museum. The collection, including gravures, miniatures and objects, is approached thematically. The museum’s exhibition focused on the themes like Turkish baths, baths of Edirne, the baths in Ottoman architecture, bathing customs, production of soaps and the architecture of water.
Görseller
Considering the peculiar forms of the space, a multilayered approach was created in showrooms. Designed in harmony with the Söğüt Museum, the historical period starting from the conquest of Istanbul to Republican Period is narrated in the museum through different media. The museum fills an important gap by developing a social history approach and a holistic approach to history.
Görseller
The museum includes the archaeology and ethnography collections of the civilizations around Isparta starting from prehistory up to today. The collection was displayed in thematic and chronological order. The exhibits were enriched through audiovisual media and digital contents.
Görseller
Anthropology, ethnography and archaeology collections derived from excavations held around Kırşehir and its surrounding takes place in the museum. Collections are held together in a thematic flow instead of separate selections.
Görseller
While the Museum is narrating the story of the communication tools, it is also designed as a communication tool itself. Thanks to the vast and rich radio collection granted by Ferit Akalın, the museum is unique among its similars. In the collection, while all the objects are repaired and in-service, they are also from many different countries and many different periods. The changing ways and tools of communication are told to the visitors via installations, interactive applications and documentary and animation films.
Görseller
Copyright by Müze Sergi İşleri 2015. All rights reserved.
Copyright by Müze Sergi İşleri 2015. All rights reserved.
Turkish